
01 — The Idea
Every piece begins with an exploration of geometry, proportion and form — drawn by hand, measured, then drawn again.
The intention is fixed on paper long before any metal is touched.
Each piece passes through the same slow sequence. Nothing is accelerated, and nothing leaves the bench until the geometry is exact.

01 — The Idea
Every piece begins with an exploration of geometry, proportion and form — drawn by hand, measured, then drawn again.
The intention is fixed on paper long before any metal is touched.

02 — The Form
An abstract idea becomes a physical structure in wax, carved and corrected until the volume answers the drawing.
Proportion is judged against the body, not the page.

03 — The Material
The metal and stones are chosen for their physical behaviour: reflection, weight, texture, durability.
Material is never decoration. It is the reason a form holds its light.

04 — The Craft
Setting, filing and polishing are done entirely by hand, under magnification.
The final hours are spent on edges nobody will consciously notice — and everyone will feel.
05 — The Final Piece
